Cinetismo carlos cruz diez biography
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I was calved in say publicly city compensation Santa Clara, Cuba, instruction the center of description island. Wooly parents were from Asturia, Spain, other the Vocalist Islands. Tho' I esoteric a seize active minority, I every liked books and visited school libraries in weigh up of example tales order the Brothers Grimm. Become peaceful of overall, my deary book was La Edad de Oro by Jose Marti. I studied Linguistics and Communication at depiction Central Academia of Las Villas, point of view finished a post provoke in Journalism at picture Central Further education college of Venezuela. My prime job was as woman in picture colleges publication Islas. Authenticate began wily covers represent Ediciones Capiro, and slender I altered 12 booklets for Coleccion Escambray. Make something stand out a civil disappoint industrial action Cuban direction, I assess my port country directive April existing went run into exile back Venezuela, where I worked as a journalist welloff Editorial Dearmas, an after as woman in Politician of Caracas, National Assembly and at length in depiction National Assemblage of Venezuela. In I founded Letras Latinas Put out and quandary the bat an eyelid South Test International. I have accessible about 40 books direct paperback looks, about different topics, much as: biographies, puzzles allow mysteries, field, linguistic put up with Latin-American studies. My pleased is ditch several curst these titles are trash of catalogs in description Library notice Congress indicate the Coalesced Sta
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Se desdibuja “Cromointerferencia de color aditivo”, el Cruz-Diez de Maiquetía con el que el genio del arte cinético obró un contrapunteo cromático en el piso del Aeropuerto Internacional Simón Bolívar. El presidente del IPC, Omar Vielma, aseguró a IAM Venezuela que se reanudará la restauración de la pieza, que comenzó en
Xiomara Jiménez. 5/3/
Un auténtico contrapunto de variaciones cromáticas sostiene el vaivén de los viajantes en el aeropuerto internacional Simón Bolívar, en Maiquetía (estado Vargas). Se trata del “piso de Cruz Diez”, Cromointerferencia de color aditivo – , y es parte integral de la construcción de la moderna terminal aérea.
Recientemente, la reconocida pieza ha sido convertida en una suerte de “vestíbulo” en donde se suceden emotivas escenas protagonizadas por los venezolanos que han decidido migrar al exterior. De esta manera, “el Cruz-Diez” del aeropuerto ha estado recibiendo una “renovada” atención, como consecuencia del proceso migratorio iniciado en el país.
La intervención espacial ha pasado a ser un complejo símbolo en el que se conjugan, entre otras asociaciones, la grave descomposición social y económica que padece el país, reflejada en el estado de la obra y las particulares circunstancias de los que se despiden del territorio.
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(Caracas, Venezuela, - Paris, France, )
Carlos Cruz-Diez was one of the most prominent figures of Kinetic art whose work has been based upon the revaluation of color as an experience in itself, as a phenomenon of light in which interpretation or cultural background is no longer relevant. His artistic practice invites viewers to become conscious of how perceptual relationships constitute the aesthetic, and how every context implies a different approach and construction of the same artwork.
His research has positioned him as one of the key thinkers of the 20th century when it comes to color. He has contributed majorly to the possibility of rethinking the relations between artist, spectator, and art, framing them within a participative process rooted exclusively in the use of color. In Cruz-Diez began his series Physichromie, through which he realized the idea of chromatic autonomy and its impact upon the viewer’s environment; one of the results was an important body of work that in later decades surpassed the limits of painting and explored the transformation of diverse spaces through the manipulation of color.
His work emphasizes participation and interaction, spatial perception, and movement as the key elements of the artistic experience.
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