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First Nations Contemporary Biennial

A National Juried Exhibition:
The Tubac Center of the Arts presents the First Nations Biennial, an exhibition of contemporary art created by First Nations/Native American artists.  Artists are urged to enter work which is innovative in concept and approach, whether representational or abstract.  Work must have been completed within the last 36 months.  All work must be the original creation of the artist. Any media is eligible. 

Timeline:

Monday, May 13,
Submissions are open.

August 2,
Entry deadline.

August 3 to 8,  
nJury Process

August  9,
Notifications to Artists

September 8 - 10,
Shipped art due

Monday, September 10,
nHand delivered art due

Friday, September 14,
Opening Reception and Awards Ceremony,  pm

Monday, October 22,
Art must be picked up

Week of October 29,
Shipped work returned.

Please contact TCA via phone at or via email at Exhibitions@ for special arrangements if you cannot meet the specified hand delivery or pickup dates.

Presentation:

All artwork must arrive ready to hang.  If framed, work must be suitably matted, (white, black or neutral colors preferred), simply framed and firmly wired. No saw tooth hangers.  T

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Panel 1: Art x Propaganda

When governments, activists, and companies use art &#; or the repression thereof &#; to achieve political motives, it seems natural that their actions could lead to oppression and violation of free speech. But is this always the case? This panel will explore propaganda and censorship by examining historical and contemporary examples of art as political persuasion. In the end we will come away with a nuanced narrative of the intersection of art, free speech, and human rights.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Panel 2: Art x Power

Our second panel, Art x Power, will explore how systemic power structures in the creative sector influence artists, curators, activists, and patrons. The goal of this panel is to invite a critical discussion of how to justly increase representation and funding of artists from marginalized groups, rethink how we currently categorize art in order to eliminate existing patriarchal and white supremacist underpinnings, and ensur