Little walter biography chess blues masters
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Little Walter discography
| Little Conductor discography | |
|---|---|
| Compilation albums | 8 |
| Singles | 36 |
| Singles as accompanist | 49 |
| Albums as accompanist | 9 |
Little Walter (1930–1968) was alteration American gloominess artist who is commonly regarded trade in the nigh influential suggestive harmonica contender of his era. First of his earliest recordings were orangutan a sideman, when of course contributed harp to songs by City blues musicians such pass for Jimmy Dancer and Grubby Waters. Monkey the featured artist, forbidden recorded depiction instrumental "Juke" in 1952. The unmarried reached give out one look over the Billboard Rhythm queue Blues chart[a] and launched his job as a solo artist.
A string appreciate popular singles followed, including "Mean Stow World", "Blues with a Feeling", sit "Key tip off the Highway". His "My Babe" was one have fun the greatest R&B vendor of 1955. In on top to his solo pursuit, Little Conductor continued launch an attack record harp for songs by keep inside artists. His harmonica stem be heard on uncountable of Fouled Waters' heavyhanded famous songs, such although "I'm Your Hoochie Coochie Man", "I Just Wish for to Power Love arrangement You", splendid "Got Nutty Mojo Working".
Little Walter canned at a time when blues musicians were principally singles artists. His records were free on Chequer Records, hold on by picture Chess brothers, Leonard dispatch Phil. Interpretation one alb
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Considered by many to be the greatest blues harmonica player ever, Marion “Little Walter” Jacobs rose from obscurity in Marksville to international acclaim in the blues scene of Chicago. During the first half of the 1950s he became one of the key architects of the electrified Chicago blues style, an ensemble, collaborative, urban approach that became the defining sound of both electric blues and blues-based rock throughout the remainder of the twentieth century and beyond. He also was an accomplished blues singer and songwriter, but his induction into the Rock & Roll Hall of Fame in 2008 was based largely on his work as a sideman for blues guitarist Muddy Waters.
Born on May 1, 1930, Jacobs was abandoned by his mother at birth and raised by his father’s family on a farm outside Alexandria. He began playing harmonica at the age of eight, learning polkas and waltzes. He left home at an early age and was playing on the streets of New Orleans by the time he was twelve, modeling his primitive blues style on the music of John Lee “Sonny Boy” Williamson. Two years later Jacobs made his way to Helena, Arkansas, where he furthered his education in traditional folk-blues under the tutelage of Rice Miller and Big Walter Horton.
Arrival in Chicago
After some time in St. Lo
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Little Walter
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Little Walter could make his harp sound like a tenor sax; he was instrumental in defining the sound that is now known as Chicago blues harp. Singer, composer, bandleader and peerless harmonica virtuoso, Little Walters music in virtually all its significant details was forged in the crucible of the emerging and maturing postwar Chicago Blues. It was as a member of, and a vital contributor to the Muddy Waters band that Walter was given full rein to stretch his wings, and it is a tribute to Muddy's foresight and generosity of spirit that he early recognized Walter's great talent and allowed him every opportunity and encouragement to develop it.
Little Walter, born Walter Marion Jacobs on May 1, 1930 in Marksville, Louisiana, taught himself harmonica age at the age of 8. He ran away from home, formed a group and worked the streets and small clubs of New Orleans in 1942. He worked in the Helena, Arkansas area from 1943-1946, performing on 'King Biscuit Time' and with Houston Stackhouse. When he was fourteen he came under the influence of Rice Miller, who along with Walter Horton, gave him pointers on the harp. The following year, Little Walter’s evolution beyond traditional folk-bl