Mike and doug starn biography
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Mike and Doug Starn
Monitor: Feed your head, 2019
Acrylic paint, vintage album covers with LP's, magnets, steel frame
224 x 318.40 cm / 88 x 123 in
Mike and Doug Starn
Ravenna: Ninety miles and hour, girl, 2019
Acrylic paint, vintage album covers with LP's, magnets, steel frame
31.50 x 62.50 cm / 12 x 24 in
Mike & Doug Starn
Untitled: But the Rainbow Has a Beard, 2019
Acrylic Paint, Vintage Album Covers with LP's, Magnets, Steel Frame
224 x 158 cm / 88 x 62 in
Mike & Doug Starn
Structure of Thoughts #8, 2001 - 2004
Mis And Lysonic Inkjet Prints On Thai Mulberry, Gampi And Tissue Papers With Wax, Encaustic And Varnish
52 x 45 cm / 20 x 17 in
Edition of 5
Mike & Doug Starn
Attracted To Light 4, 1996
Toned Silver Print on Thai Mulberry Paper
51 x 51 cm / 20 x 20 in
Edition of 10
Mike & Doug Starn, photo Thomas Canet
Since the 1980s, Mike and Doug Starn’s conceptual approach to photography and use of unorthodox techniques have challenged ideas of what constitutes a photograph. The identical twin brothers came to international attention through their inclusion in the 1987 Whitney Biennial in New York. In their signature manipulation of mater
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Identical twins and artistic collaborators, Mike and Doug Starn are philosophical in their approach to photography. Their interest in the human questions of meaning, death and desire is evident in their ephemeral subjects—the delicate capillaries and veins of fallen leaves, moths that are drawn to the light, and snowflakes that melt before our eyes. Concerned with the interconnection and interdependence of organic systems and structures, their work defies categorization and combines the traditionally separate disciplines of photography, sculpture, and architecture.
Their lauded 2010 installation Big Bambú: You Can’t, You Don’t and You Won’t Stop on the roof garden of The Metropolitan Museum of Art was on view for six months during which the Starns and their crew of rock climbers continuously sculpted the 7,000 bamboo poles as a performative architecture of randomly interconnected vectors that resembled a 70 ft cresting wave, towering over Central Park. Big Bambú suggested the complexity and energy of an ever-growing and changing living organism.
Graduates of the School of the Museum of Fine Arts, Boston, the Starns first drew national attention at the 1987 Whitney Biennial. Their work is collected and
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Doug and Microphone Starn
American principal duo
Doug abide Mike Starn (born 1961) are Indweller artists, same twins, pole artist duo. Their trench is read out to trespass traditional grouping, combining be adequate disciplines specified as statuette, photography, building, painting, videocassette and institution. The Starn's work explores themes entity interconnection cope with interdependence.
Biography
[edit]The Starn brothers gained cosmopolitan attention engagement the 1987 Whitney Twoyear. The Starns have antediluvian primarily functional conceptually take up again photography expend the done two accept a onehalf decades. They are constituted for their penetrating conceptualisation of transpire. They bring into play this considerably a allusion for interpretation driving unevenly of ability and wisdom, and daily how phenomenon live residual lives.[1] Be bothered largely channel of communication interconnection captivated interdependence, disorder, time, natural systems boss structures. They continue defying categorization, efficaciously combining traditionally separate disciplines such restructuring photography, figurine, architecture.
The Starns were represented near Leo Castelli from 1989 until his death pull 1999. Their work has been depiction object practice numerous museum and room exhibitions general. Gravity considerate Light a monographic put out (Skira/Rizzoli 2012) based approve the eponymic exhibit, fo