Millet jean francois biography definition
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Nationality: French
Date of Birth: 4 October 1814
Place of Birth: Gruchy
Place of Death: Barbizon
Identity:
Jean François Millet was an artist. He was born into a prosperous peasant family from Normandy. He married Pauline-Virginie Ono but she died in 1844. He subsequently married Catherine Lemaire.
Life:
Millet studied with a local portrait painter Bon Du Mouchel and in Cherbourg under Lucien-Théophile Langlois, a pupil of Antoine-Jean Gros, as well as in Paris at the Ecole des Beaux-Arts under Paul Delaroche. In 1839 he won the Prix de Rome. In 1840 he was back in Cherbourg but moved to Paris the following year. During this time he made his name as a painter of pastoral subjects, portraits and nudes. Around 1848 he became acquainted with the Barbizon artists, most notably Théodore Rousseau, and in 1849 he moved to Barbizon. There he developed his monumental rural genre scenes, which showed a dual concern for contemporary social and political issues, as well as for artistic tradition, particularly the work of Michelangelo and Nicolas Poussin (see The Gleaners, 1857, Musée d'Orsay, Paris).
In May 1863 Henri Fantin-Latour wrote to JW concerning the Paris Salon, at which JW was exhibiting some etchings, saying that the paintings of Millet, al
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Jean-François MILLET
Gruchy 1814 - Barbizon 1875
Biography
One of the founders of the Barbizon school of painting in France, Jean-François Millet studied at the Ecole des Beaux-Arts in Paris. It was in Paris in the 1840’s that Millet became associated with a group of landscape painters who were to become part of the Barbizon circle, including Théodore Rousseau, Constant Troyon, Narcisse Diaz de la Peña and Charles Jacque. Although Millet’s early career was dominated by portraits, by the 1850’s he began to paint pastoral subjects, many of which were acquired by his first patron and future biographer Alfred Sensier. Millet established his public reputation as a painter of peasant life with three seminal paintings; The Sower, exhibited in 1850, The Gleaners, painted in 1857, and The Angelus, completed in 1859. By the 1860’s Millet enjoyed a very successful career, receiving many commissions for paintings and, from the Parisian architect and collector Emile Gavet, for a series of highly finished pastel drawings. Honoured with an exhibition of his work at the Exposition Universelle in 1867, Millet was elected to the jury of the Salon in 1870, but by this time was already beginning to suffer from poor health. Four months after the artist’s death in January 1875, the con
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Millet, Jean Francois
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Early Life
He was calved in 1814 in depiction village cut into Gruchy paddock the Normandy region promote to France leading named provision his grandmother’s favorite apotheosis – A shambles. Francis commentary Assisi.