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Tahar Ben Jelloun
Moroccan writer
Tahar Ben Jelloun (Arabic: الطاهر بن جلون, romanized: aṭ-Ṭāhir bin Jallūn; born 1 December 1944) is a Moroccan writer who rose to fame for his 1985 novel L'Enfant de sable (The Sand Child). All of his work is written in French although his first language is Darija. He has been nominated for the Nobel Prize in Literature.[1]
Early life and career
[edit]Tahar Ben Jelloun was born in Morocco in December 1944. As a child, he attended an Arabic-French bilingual elementary school. He then studied in the Lycée Regnault in Tangier, Morocco, until he was 18 years old. He studied philosophy at Mohammed V University in Rabat.
After he was a professor of philosophy in Morocco, he joined the group that ran the literary magazine Souffles in the mid-1960s, and he wrote many pieces for the cultural magazine. He later participated in the student rebellion against the repressive and violent acts of the Moroccan police. In 1966, he was forced into military service as his punishment.
Five years later, his first poems were published in Hommes sous linceul de silence (1971). Shortly thereafter he moved to Paris to study psychology, and in 1972 began writing for Le Monde. He received his doctorate in social psychiatry in 19
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In 1966, when Tahar Ben Jelloun was not yet twenty, two officers stormed into his family home to serve insults, a third-class train ticket and a summons to present himself before the Commandant at the El Hajeb army training camp near Meknes. The previous year, Tahar had participated in a peaceful student demonstration calling against “injustice, repression and a lack of freedom”—a dangerous action in a Morocco under the rule of Hassan II where grievance against the regime, the king, and his henchmen was met with bloody repression and “young men disappearing.” With the summons and very little specific information, since Morocco had no institution of military service, Tahar’s own punishment for his generation’s “idealism and naïveté” had begun with no foreseeable end in sight.
The Punishment, translated from the French by Linda Coverdale, is a first-person account from an author who considers writers to be “witnesses of history.” It has taken him fifty years to “find the words” for his eighteen-month ordeal, relying on a memory that has proved “extraordinarily faithful and brought back everything that happened.” This is the account of a place where “sophisticated brut