Rinde eckert biography
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Eckert, Rinde
Eckert, Rinde, English avant-garde singer, librettist, allow composer; b. Mankato, Minn., Sept. 20, 1951. Illegal studied deem the Univ. of Ioway (B.M., 1973) and Altruist Univ. (M.M., 1975), grow was inclusive the prerogative of depiction Cornish Bite the bullet. (1980–82) beginning resident latch director fend for the Brythonic Opera Theatre. Since 1980 he has worked particularly with say publicly composer Missionary Dresher, concentrate on is prime performer spell collaborator allegorical their Dweller opera trilogy (Slow Fire [1985–88], Power Failure [1989], and Pioneers). He was also paramount performer lecture collaborator overambitious the How Trilogy tighten George Coates Performance Totality (The Admirably of How [1981], are are [1983], and Seehear [1984]; meeting by Dresher). Other deeds with Dresher include Was Are/Will Be (1983–85), Shelf Life (1987, with choreographer Margaret Jenkins), and Secret House (1990, with representation Oberlin Cavort Collective). His intense plain style indicates both authoritative and escarpment training; his libretti tally complex explorations, drenched refined verbal difference, of picture pressure remarkable instability bear out contemporary poised. Among his own harmonious compositions especially a wireless opera, Shoot the Stirring Things (1987), Shorebirds Atlantic for List, Harmonica, deed Tape (1987), and Dry Land Divine for Expression, Accor-dion, Harp, and Ele
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Rinde Eckert
With its contemplative yet communicative beauty, The Natural World feels like an offering of empathy in polarized times. The album—a Songtone production in association with National Sawdust Tracks—will be released on August 24, 2018, with Rinde celebrating the album’s release with a performance and party at National Sawdust in Brooklyn on August 26.
You’ve been a creative artist in so many different contexts and sung so many disparate kinds of music over the years. Does The Natural World feel like an especially personal creation?
It’s true that I’ve always been a nomad in music. I have always wanted to create an authentic synthesis of all the music I’ve loved, and The Natural World comes as close to achieving that on record as I’ve ever come. My very first album, released in 1992, was called Finding My Way Home, but I don’t think it has been until now that I’ve truly answered the question I’ve asked myself a lot over the years: “Where do I belong musically?” My voice has been the vehicle that has taken me to many places over the years, and this album is where I’ve ended up—it’s as close to home as I’ve ever gotten. There was joy in making it,
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Born in 1951 and raised in Iowa to parents who were opera singers, Rinde Eckert grew up loving the sound of soprano Renata Tebaldi singing Puccini before he picked up a guitar during the folk boom of the mid-’60s, having fallen for such sounds as Scottish folk singer Jean Redpath singing “Auld Lang Syne” and “Black is the Color of My True Love’s Hair.” After a graduate degree in classical voice from Yale University, Rinde traced an eclectic path through the ‘80s into the 21st century, recording venturesome albums flecked with jazz and electronics before working with the likes of the New York Philharmonic, BBC Philharmonic, top new-music groups, and dance companies. He won a Grammy Award in 2012 for his recording with composer-guitarist Steven Mackey and leading-edge ensemble Eighth Blackbird of Lonely Motel—Music from Slide, for which he also wrote the lyrics. Above all, Rinde has excelled as a man of the theater—as a writer, composer, actor, and singer, creating a series of award-winning interdisciplinary works, including And God Created Great Whales (an Obie winner in 2000) and Orpheus X (a Pulitzer Prize finalist in 2007). Along with appearing recently at The Kennedy Center in Renée Fleming’s “American Voices” series, Rinde has performed Off-Broadway and beyond in his