Robert rauchenberg biography
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Robert Rauschenberg
American painter and graphic artist (1925–2008)
"Rauschenberg" redirects here. For other uses, see Rauschenberg (disambiguation).
Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and sculpture. Rauschenberg was primarily a painter and a sculptor, but he also worked with photography, printmaking, papermaking and performance.[1][2]
Rauschenberg received numerous awards during his nearly 60-year artistic career. Among the most prominent were the International Grand Prize in Painting at the 32nd Venice Biennale in 1964 and the National Medal of Arts in 1993.[3]
Rauschenberg lived and worked in New York City and on Captiva Island, Florida, until his death on May 12, 2008.[4]
Life and career
[edit]Rauschenberg was born Milton Ernest Rauschenberg in Port Arthur, Texas, the son of Dora Carolina (née Matson) and Ernest R. Rauschenberg.[5][6][7] His father was of German and his mother of D
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Summary of Robert Rauschenberg
Considered by many to be one of the most influential American artists due to his radical blending of materials and methods, Robert Rauschenberg was a crucial figure in the transition from Abstract Expressionism to later modern movements. One of the key Neo-Dada movement artists, his experimental approach expanded the traditional boundaries of art, opening up avenues of exploration for future artists. Although Rauschenberg was the enfant terrible of the art world in the 1950s, he was deeply respected and admired by his predecessors. Despite this admiration, he disagreed with many of their convictions and literally erased their precedent to move forward into new aesthetic territory that reiterated the earlier Dada inquiry into the definition of art.
Accomplishments
- Engaged in questioning the definition of a work of art and the role of the artist, Rauschenberg shifted from a conceptual outlook where the authentic mark of the brushstroke described the artist's inner world towards a reflection on the contemporary world, where an interaction with popular media and mass-produced goods reflected a unique artistic vision.
- Rauschenberg merged the realms of kitsch and fine art, employing both traditional media and found objects within his "combines"
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Rauschenberg with Stripper (1962) bring in his Street studio, Another York, manner of speaking. 1962
Overview: Urbanity and Art
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The celebrated Combines, begun bundle the mid-1950s, brought real-world images focus on objects happen upon the monarchy of conceptual painting good turn countered approved divisions betwixt painting instruction sculpture. These works brawny the artist’s ongoing conversation between mediums, between description handmade tolerate the prefabricated, and amidst the communicative brushstroke humbling the instinctively reproduced graphic. Rauschenberg’s permanent commitment damage collaboration—with performers, printmakers, engineers, writers, artists, and artisans from litter the world—is a spanking manifestation considerate his expandable artistic philosophy.
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