Rolf kempf biography of abraham
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Records of the Army Staff (Record Group 319)
Investigative Records Repository (IRR)
Personal Name Files, 1939-1976
Where to find these files:: National Archives in College Park, Maryland, in 270/84/01/01 - 270/84/19/07.
Box # | Last Name | First Name | File Number | Note |
---|---|---|---|---|
1 | ABASLON | Gunther | XE012414 | |
1 | ABBOTT | Samuel W. | X4000096 | |
1 | ABE | Den | XA500009 | |
1 | ABE | Hiroshi | XA536005 | |
1 | ABE | Itaru | XA536008 | |
1 | ABE | Koichi | XA536011 | |
1 | ABE | Tadaichi | XA500062 | |
1 | ABE | Yoshiko | G8165293 | |
1 | ABE | Yoshimi | XA500077 | |
1 | ABE | Yoshio | XA536026 | |
1 | ABEGG | Lily Hermine | XA500085 | |
1 | ABEL | Karl | DE377119 | |
10 | ALBRECHT | Karl L. | XE131670 | |
10 | ALBRECHT | Otto | XE176035 | |
10 | ALBRECHT | Siegfried | HE093671 | |
10 | ALBRECHT | Wilhelm | XE126082 | |
10 | ALCORN | Julian Thomas | C2016692 | |
10 | ALDEGARMANN | Hugo | XE126050 | |
10 | ALDERMAN | Garland | X7000501 | |
10 | ALEMANN | Willi | XE131984 | |
10 | ALESCH | Robert | • GOD BLESS AMERICAThankfully, the name “Bobcat Goldthwait” and “filmmaking” no longer equal a punchline. Reviewers who covered Let Sleeping Dogs Lie and the nasty little joy World’s Greatest Dad used the fact as an attention grabber, even long after the effect began to die off. Goldthwait’s distinctive style should leave no one questioning the value of this comedian/actor-turned-filmmaker. He ponders his art and has the ability to execute ideas. The evidence is throughout the details. One example: later on in his new film, God Bless America, the central character Frank (Joel Murray) rolls along in a car, during a dream sequence of equal parts Hollywood kitsch and Abraham Zapruder (note the slow-motion). On the soundtrack, a unique choice of song plays. Few have scratched their heads when hearing an Alice Cooper tune on film. After all, this theatrical singer, in his best days, wrote songs to be seen when performed as well as heard. A subversive take on pop art, Alice Cooper was the first notable band to embrace visual performance fully and not merely exploit it to bolster the music. Hence, the band’s teen angst anthems “I’m Eighteen” and “School’s Out” appear regularly in films, while the little (never?) used “Hello, Hooray” shows up in Goldthwait’s scene mentioned ab •
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