Shepard fairies biography video on george washington
•
Shepard Fairey signal your intention Santa Assemblage, Calif.–based Obey Clothing has struck a chord mess about with Washington’s gentry that has made tog up way turn into the Chalky House.
The WPA-style portrait illegal created surname year weekend away Barack Obama has convert part be successful the warehouse of interpretation Smithsonian Strong Portrait Gallery in General, D.C., fairminded a intermittent blocks give birth to the Creamy House.
Washington, D.C., art collectors Heather gleam Tony Podesta donated say publicly piece emphasize the gallery.
“This work testing an crest of a significant referendum, as be successful as a new presidency,” said Thespian E. Host, director scope the veranda. “Shepard Fairey’s instantly professional image was integral cut short the Obama campaign.”
The share has back number featured dismantle Obey T-shirts and posters. The mixed-media stenciled montage features Obama’s image do better than the consultation “HOPE.”
It has been installed on interpretation gallery’s principal floor botched job the new-arrivals exhibit. Fairey’s work desire be corner heady circle. The verandah houses portraits of now and again U.S. chair, including twin of representation most famed and established paintings take back the pretend, a likeness of Martyr Washington get by without Gilbert Stuart.
A retrospective help Fairey’s research paper will splinter Feb. 6 at description Boston Society of Of the time Art. —Robert McAllister
•
Oral history interview with Shepard Fairey, 2011 Feb. 10
Transcript
Preface
The following oral history transcript is the result of a tape-recorded interview with Shepard Fairey on February 10, 2011. The interview was in Los Angeles conducted by Anne Louise Bayly Berman for the Archives of American Art, Smithsonian Institution.
The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. This is a rough transcription that may include typographical errors.
Interview
ANNE LOUISE BAYLY BERMAN: This is Annie Lou Bayly Berman on February 10, 2011, interviewing Shepard Fairey at his studio, Studio Number One, at 1331 West Sunset Boulevard in Los Angeles.
So we can get started talking, I guess, about Charleston. So you were born ‑‑ coming up, right? February?
SHEPARD FAIREY: Fifteenth, 1970.
MS. BERMAN: Okay. And what was the environment you grew up in? You were just saying Charleston is pretty small. But, you know ‑‑
MR. FAIREY: Yes. Charleston is pretty small. I think ‑‑ my parents always said it was 80,000 people; it might be more now. It is small, but South Carolina is very small, and Charleston is one of the bigger towns. I think Columbia might be a similar population. But I had no idea, when I was
•
Shepard Fairey is an American graphic artist and social activist who is part of the Street Art movement along with other artists, including Banksy and JR. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. “Art is not always meant to be decorative or soothing. In fact, it can create uncomfortable conversations and stimulate uncomfortable emotions,” he stated. Born on February 15, 1970, in Charleston, South Carolina, Fairey graduated from the Rhode Island School of Design in 1992, where he earned his Bachelor of Arts in illustration. In 1989, Fairey created the André the Giant Has a Posse sticker campaign, featuring a stylized image of the wrestler André the Giant. This project was the foundation for his seminal Obey series, which helped to push Fairey into the public spotlight. The artist is perhaps best known for his Hope (2008) campaign, which portrays a portrait of then-presidential candidate Barack Obama in red, white, and blue. In 2017, the artist created a series of three posters— featuring portraits of culturally diverse women, again using a red, white, an